创新背景

由约翰·约阿希姆·坎德勒为萨克森州总理兼迈森工厂厂长冯·布鲁尔伯爵设计的迈森瓷桌喷泉在18世纪曾被用作国宴的中心物件，桌上喷泉的巴洛克式设计从德累斯顿冯·布鲁尔夏宫花园中的海王星喷泉获取灵感，是现存同类建筑中最大的组合。

创新过程

英国皇家艺术学院Martin Smith教授和Steve Brown博士与V&A的策展团队合作，由Reino Liefkes领导，展开了对迈森喷泉修复的项目工作。

陶瓷和玻璃计划的研究人员为迈森瓷桌喷泉的损坏元素进行修复，利用了Liefkes进行的研究，采用数字扫描技术对来自不同博物馆收藏的喷泉版本的原始瓷器画面以及瓷桌喷泉灵感来源的全尺寸花园海王星喷泉进行扫描，确定了桌子喷泉的布局。

通过数字扫描技术与3D建模技术制作模型，然后根据德累斯顿瓷器博物馆的瓷器进行陶瓷石膏铸造和手工建模，成功修复了丢失或损坏严重的瓷器。研究团队在2016年在迈森喷泉保护和重建方面的工作获得了威廉姆斯陶瓷保护奖。

迈森喷泉项目结合尖端数字技术和传统工艺，从实际历史数据中获取信息并重建对象，开辟了瓷器修复的新方法。

数字技术在陶瓷产业的利用在表面的美学创造上具有极高的创新性和艺术性。英国艺术与人文研究委员会2015年资助皇家艺术学院牵头的陶瓷项目，结合数字技术创新陶瓷艺术设计的美学效果和商业价值。

研究人员利用自己在设计表面图案方面的专业知识创建了新的装饰设计，将设计图案通过数字激光打印传输系统进行印刷，将现代性的美学设计赋予优雅的陶瓷，探索数字印刷技术在大规模陶瓷制造，原型设计和小批量生产中的潜力。

创新关键点

结合数字技术和传统的陶瓷工艺，创新陶瓷文物修复以及陶瓷设计方法。

创新价值

激活了数字技术在陶瓷设计以及修复方面的潜力，开辟了陶瓷艺术的新模式，将艺术设计和修复期望以尖端科技形式落实，有助于陶瓷行业发展。

Digital technology repairs and innovates ceramic designs

Professor Martin Smith and Dr Steve Brown of the Royal College of Art collaborated with the V&A curatorial team, led by Reino Liefkes, on a project to restore the Meissen Fountain.

Researchers from the Ceramics and Glass Project repaired damaged elements of the Meissen Porcelain Table Fountain, using research conducted by Liefkes, using digital scanning techniques to scan original porcelain images of fountain versions from different museum collections and the full-size Garden Neptune Fountain from which the Porcelain Table Fountain was inspired, determining the layout of the table fountain.

The model was made by digital scanning technology and 3D modeling technology, and then ceramic plaster casting and manual modeling were carried out according to the porcelain of the Porcelain Museum in Dresden, successfully repairing the badly lost or damaged porcelain. The research team received the Williams Ceramic Conservation Award in 2016 for its work on the conservation and restoration of meissen fountains.

The Meissen Fountain Project combines cutting-edge digital technology and traumatic craftsmanship to capture information from actual historical data and reconstruct objects, opening up new approaches to porcelain restoration.
The use of digital technology in the ceramic industry is extremely innovative and artistic in the aesthetic creation of surfaces. The Arts and Humanities Research Council funded the Royal College of Arts's led ceramics project in 2015 to combine digital technology innovations to create the aesthetic effects and commercial value of ceramic art design.

The researchers used their expertise in designing surface patterns to create new decorative designs, printing design patterns through digital laser printing transmission systems, giving elegant ceramics the aesthetic design of modernity, and exploring the potential of digital printing technology in large-scale ceramic manufacturing, prototyping, and small batch production.